The Art of Tim Burton, Standard Edition

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The Art of Tim Burton, Standard Edition

The Art of Tim Burton, Standard Edition

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Description

This ridiculously massive tome is the first ever comprehensive look at the personal and project artwork of Tim Burton. 11.25 x 12.25 x 1.75 inches The real strength in Tim’s artwork is his appreciation of form with strong shapes and exaggerated proportions. Within a few seemingly simple pen lines, he creates bold silhouettes […] You would be mistaken for thinking that some of Tim’s rough sketches are rudimentary, loose or naïve, for they hold vital information, demonstrate a great delicacy, sensitivity, consistent keen eye, and a stunning vision’. After high school, Burton attended the prestigious California Institute of the Arts, which opened in 1961, partly out of the last great vision of Walt Disney himself. Disney died in 1966, but his brother and nephew were both on the school’s founding board of trustees. Disney had imagined an arts school designed specifically to educate new generations of animators, but it wasn’t until 1975 that the school began admitting students into a program to teach character animation.

But this is the first with a lithograph of a red spiraling arrow pointing at a baby of sorts. (The second lithograph was a woman, the third lithograph was a creepy clown.)Tim Burton – Leah Gallo – Holly C.Kempf – Derek Frey, The Art of Tim Burton- Steeles Publishing – 2009

As a mature artist, Tim Burton’s work married his love of the surreal to stories that stripped away the banality of everyday, politely civilized life. Vincent and Frankenweenie are about normal boys feeding their love for the grotesque within quiet normal households. The Nightmare Before Christmas is about the unholy juxtaposition of Halloween and Christmas. Sweeney Todd sees a serial killer opening up a respectable barber shop; though based on an existing musical, its themes fit perfectly into the Burton portfolio. And in Edward Scissorhands, Edward’s nightmare house is next to, well, this: A scene from Edward Scissorhands. Paramount Pictures via IMDB The too-bright visuals and overly stylized tone of this scene in Sweeney Todd let you know it’s an Expressionist dream sequence. The contrast between the dark and brooding couple and their bucolic surroundings let you know it’s Burton-esque. Paramount Pictures via IMDB By age 15, he was winning local advertising art contests, shooting creepy 8mm films around his neighborhood, and creating an illustrated children’s book of his own — which Disney, incidentally, rejected for publication, albeit with an encouraging note. Disney told Burton that “the art is very good. The characters are charming and imaginative, and have sufficient variety to sustain interest.” It would be the start of a long and sometimes contentious relationship with the Mouse. Tim Burton, director and artist,is widely regarded as one of cinema’s most imaginative and visual filmmakers. Burton grew up in Burbank, California and attended the newly opened California Institute of the Arts (CalArts). As one of the earliest students of the famed Character Animation Program, his work attracted the attention of Walt Disney Productions and gained him an apprenticeship at the studio. Walpole essentially expanded the tone of gothic architecture and gothic art into what we now know as gothic literature — a genre full of distinctive, familiar horror tropes: huge dark buildings looming up out of the mist; tortured heroes and antiheroes meeting their doom over a tragic lost love or an unearthed secret from their past; and a sense of delight in the sinister, the grotesque, the weird, the bloody, and the terrifying. Gothic sculpture, late 15th century, Amiens Cathedral. Eric Pouhier Gotham is true to its name with layers of Gothic architecture in Burton’s Batman (1989). Warner Bros. via IMDB Over the years, Burton has achieved both critical and commercial success in the live-action and animation genres.2007’s Sweeney Todd: The Demon Barber of Fleet Streetwon the Golden Globe for Best Film—Musical or Comedy and earned Burton a National Board of Review award for his directing work.Many of his films – such as Ed Wood (1994),Sleepy Hollow (1999), Big Fish (2003),and Alice in Wonderland(2010) – have garnered numerous Academy Awards, BAFTA, and Golden Globe nominations and wins, cementing his status as one of the greatest film makers of our time.

Work Cited

Drawn from Tim Burton’s personal archive and representing the artist’s creative output from childhood to the present day, this collection of drawings, paintings, photographs, sketchbooks, moving-image works, sculptural installations, set and costume design focuses on the recurrent visual themes and motifs found in the distinctive characters and worlds found in Burton’s art and films. At CalArts, Burton animated several short films and developed his signature style as an illustrator of characters with amusingly exaggerated features. One of his student works, a partly silent animated short called Stalk of the Celery Monster, once again earned him attention from Walt Disney Studios, which brought him on as an animation apprentice after his graduation from CalArts in 1980, drawing mainly concept art and models for features.

But what does it mean to be “Burton-esque?” Is there a way to catalog the visual ingredients of a Burton film? And how did Burton develop such a distinct visual style that continues to resonate so strongly with audiences?Born in 1958 in Burbank, California, Burton grew up with an inverse relationship to his surroundings. Where Burbank was sunny and benign, Burton was moody, interested in the dark and the macabre. When other kids played ball and rode bicycles, he hung out in cemeteries and wax museums. He developed a love for Hammer horror films and B-movie sci-fi. He seemed to channel these sensibilities into his art, displaying a penchant for exaggerated caricatures and illustrations influenced by a range of pop art from advertising to children’s illustrators to comics. The Art of Tim Burton: The Artist Before The Filmmaker Offering a Valentine, Tim Burton (1980-1986) Tim Burton’s imaginary world has now become a familiar one, a world everyone is drawn to. A world which is welcoming and heart-warming, filled with strange-looking people and sad clowns more frightened than frightening. His message is clear: people are not defined by their appearances. To be different does not mean to be excluded and differences should be cultivated along with singularity and creativity. His universe is more appealing than scary even though it is full of outcast characters. Their tragedy inspires more pity than fear and monsters become charming. He shows life as both kind and tragic, beautiful and cruel, funny and disturbing. The horrible becomes tender and poignant and it is the beautiful that becomes scary. Monsters and Colours Tim Burton Work Cited

Tim Burton is one of modern filmmaking’s best-known directors — largely because his films all look like Tim Burton films. It’s hard to find a recent director whose distinct visual aesthetic has become so universally, immediately recognizable. Even in his new live-action Disney film Dumbo, which is something of a departure from Burton’s previous work — it’s a remake that doubles as a careful critique of its predecessor — it can still easily be called “ Burton-esque,” like all of his movies. A comprehensive look at the personal and project artwork of Tim Burton. Text By: Leah Gallo, Design by: Holly C. Kempf, Edited by: Derek Frey, Leah Gallo & Holly Kempf From this list, you get a clear sense of the zany, colorful, slightly surreal and over-the-top influences that resonated with Burton as a kid. It’s not easy to locate the full list of films online, so we’re presenting it here for your further Burton study and edification. Tim Burton is the creative force behind some of the most celebrated films of the last four decades, internationally recognised as a master of the comically grotesque and the endearingly misfit.The Burton-esque style is derived from a wealth of art, cinematic, and literary genres. But if Burton’s work was just copied from his influences, it wouldn’t resonate with viewers. What Burton brings to all these ideas is his own joyous idiosyncrasy — his ability to meld the ominous and the frightful with a sense of whimsy, and then turn that unholy duet into part of the act and the art of being a tortured outsider. This is the First Edition, First Printing of the deluxe edition limited to 1000 copies signed by the artist. His art is truly representative of his vision of the world and he also finds inspiration in the people who surround him. His drawings are often filled with social commentaries. He reveals the absurdity of our consumerist society and its hierarchical organisation. In one drawing he portrays the company Disney as a powerful dehumanizing machine which crushes any sense of singularity. He caricatures people and their behaviour from girls too obsessed by their physical appearance to a perverse man undressing a woman with his eyes, or a man covered in blood going in a gun shop and asking for more bullets. The suburbs he lived in also inspired him a lot and are at the heart of his film Edward Scissorhands. Tim Burton’s Characters and Punk (1980-1990) His Aesthetic and Message Beautiful, magical and a wonderful way to spend a couple of hours. Sitting in a huge chair with this epic tome balanced on your knee, especially with an equally large mug of coffee next to you. : ) Can't say Tim Burton is an incredible artist, but that's what makes every piece true. He's not doing it for money or because he's really good at it. It's one of the only ways he knows how to express himself, whether its on paper or camera. Having it all bound into this wonderful cloth covered book is fantastic. Not too mention the Deluxe edition looks great on any shelf or table.



  • Fruugo ID: 258392218-563234582
  • EAN: 764486781913
  • Sold by: Fruugo

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